La rosa y el sauce: canto y piano by Carlos Guastavino · La rosa y el sauce: canto y by Carlos Guastavino; Francisco Silva; S Borton. Musical score. English. La rosa se iba abriendo Abrazada al sauce, El árbol apasionada, La amaba tanto! Pero una niña coqueta Se la ha robado, Y el sauce. Print and download in PDF or MIDI LA ROSA Y EL SAUCE. Partitura para canto y piano.

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Create lists, bibliographies and reviews: Musical settings Named Person: Remember me on this computer. WorldCat is the world’s largest library catalog, helping you find library materials online. Linked Data More info al Linked Data. Songs Medium voice with piano. Aguirre’s delicate and intimate piano writing is an especially evident influence on Guastavino. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.

La rosa y el sauce = The rose and the willow (Musical score, s) []

Hyperion carloa both CDs, wl downloads in a number of formats. Find a copy in the library Finding libraries that hold this item La rosa y el sauce First line:. Privacy Policy Terms and Conditions.


There are some pieces of music that once heard are never forgotten, and this is one of them. Given his feeling for melody and lush piano textures, it is not surprising that his songs are a well-established part of the Argentinean cultural landscape. Your list has reached the maximum number of items. Carlos Guastavino 5 April — 28 October [1] was one of the foremost Argentine composers of the 20th century. Home About Help Search.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Subjects Songs Medium voice with piano. A small number of his songs are settings of his own texts. Please select Ok if you would like to proceed with this request anyway. The E-mail message field is required.

La rosa y el sauce = The rose and the willow

Guastavino’s stylistic isolation from the modernist and avant-garde movements going on around him, and the self-consciously nationalist content of his songs made him a model for Argentine popular and folk musicians in the s.

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His production amounted to over works, most of them songs for piano and voice, many still unpublished. Finding libraries that hold this item His reputation was based almost entirely on his songs, and Guastavino has sometimes been called “the Schubert of the Pampas”.

The name field is required. Your Web browser is not enabled for JavaScript. More like this Similar Items. His works for orchestra included Divertissement; fue una vezcommissioned by Colonel W. La rosa y el sauce: Silva, Francisco — Musical settings.


La rosa y el sauce (Guastavino) – from CDA – Hyperion Records – MP3 and Lossless downloads

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Retrieved 27 October Write a review Rate this item: June Total duration: La palomita has a more archaic flavour Argentinians, too, can summon up their past when necessary appropriate to the spirit of its eighteenth-century poem. Please create a new list with a new name; move some items to a new or existing saucw or delete some items. By using this site, you agree to the Terms of Use and Privacy Policy.

Archived February 27,at the Wayback Machine. Your request to send this item has been completed. A talented pianist, he performed his piano works in London in, andinvited by the BBCand as a recipient of a scholarship from the British Council.

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